When I was a young man I took a photography course at UCLA. Part of that adventure involved the hiring of three lovely women who agreed to pose for us in the all-together. Stay with me, it gets better.
One of my classmates had a large home and an empty swimming pool that was then being decorated with a rather gaudy mural. Although other parts of his garden beckoned us, the pool became the favorite spot to photograph the models. A dozen of us, intent on producing lovely images of the young women, crowded into the pool and shoved each other out-of-the-way as we all tried to get the best view.
It was too early in the Earth’s history for digital cameras to be even a glimmer in one’s imagination. Kodak still ruled the day and we had what we thought was an ample supply of rolls of Ektachrome, Kodachrome and Verichrome each with a whopping thirty-six exposure payload.
We weren’t twenty minutes into the shoot when I had run through all six of my rolls of film. I was desperate to remain an active shooter rather than a voyeur. So I reloaded one of my spent film spools and proceeded to double expose the entire roll.
When I got home and developed the film, I was shocked by the crude photographs. More like stag film outtakes than elegant female figures, they screamed profanities at me. Visions of being the next Edward Weston, Alfred Stieglitz or Man Ray went up in smoke…until I looked at the double-exposed film. Beautiful I thought. Perfectly composed. Female figures intertwined in loving repose. Not a hint of crudeness. Really lovely. And then I stopped and realized that this was nothing but an accident caused by poor planning, a rush to judgment, and then maniacally executed without any real thought.
Could I do it again? Maybe, but we’ll never know for I have let the years pass without attempting a repeat performance. As evidence of my prowess with the camera, one of those double-exposed photos taken on that sunny day in the Hollywood Hills was good enough to be hung in a UCLA hallway where, some weeks later, it was stolen by some unknown admirer. Rather than being upset, I felt honored.
My appreciation of the difficulty in properly photographing the female body went up several notches after my experience in that empty swimming pool. Posing, lighting and the demeanor of both the photographer and the model are critical to the success of the adventure.
But something else stuck in my mind that day and since. The beauty of the female body and its transfer to either photographic paper, a painter’s canvas or a sculptor’s bronze is a gift that should not be wasted. And if one is not proficient enough to execute any of those art forms, the human eye is another option. One that I have made full use of as I approach my eightieth decade.
I find myself continually drawn to the beauty encapsulated in every woman. Looking but not leering. Appreciating but not lusting. Well, maybe a little.
I’m fortunate. The woman dear to me is lovely. Body proportions designed to complement each other. Petite but not tiny. A derriere that leaves you hoping it does not pass too quickly. Breasts that demand a second look. Legs that reach to heaven and beyond. And lips that say “kiss me…again.”
And she knows it. Her mind is constantly at work, planning and enticing. I sometimes think I’ve been drugged. So blissful that I want to remain in that state of euphoria forever. Reveling in her presence and sharing her essence. For she is truly woman, doubly exposed and beautiful.
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