It was Sunday and I was on my way to Nancy’s house. My daughter and I bought tickets to a series of plays at the Ahmanson Theater in downtown Los Angeles. Enjoying each other’s company as much or more than the plays, we had just ponied up for a second season of six performances. It’s become a father-daughter thing, where conversation often outshines the entertainment at the theater.
The Sunday matinees start at one and are generally populated with a sea of gray-haired attendees. The early start time lets us get back to Nancy’s Calabasas home, where we can have dinner at a nearby restaurant before I get back on the road for the seventy-five-minute drive to Ojai. Kevin, my faux son-in-law, partners up with us for dinner, sometimes at my favorite Jewish deli, Brent’s in Westlake.
I left home around nine that morning and, as has become my custom, stopped to visit Ila’s grave at Conejo Mountain Memorial Park. It was going to be a beautiful day. The early morning fog had cleared to a bright low hanging sun that challenged my eyes with its high beams. I bought a pretty bouquet of multi-colored flowers at the park office and brought them to the grave site. After placing them in the holder, I stood over her memorial tablet and read what was etched into its simple surface…I love you up to the sky…and beyond. Words that Ila and I had spoken to each other hundreds of times, often part of our bedtime ritual. Sometimes I’d begin the phrase and she would end it. Other times, Ila would start and I’d finish. Simple and loving.
I told Ila about the events of the past month, how much I missed her, and about those life altering events that were slowly changing me. Sometimes uncomfortable for me to say, and maybe for her to hear. I finished and placed a stone on the memorial tablet, a custom used by Jews to announce that someone had visited and remembered her.
Back on the 101, it took about thirty minutes to get to Nancy’s. She and Kevin live in a hillside home that has great views. Grandson Morey, out on his own now, grew up there. Until a few months ago, his voice was on the answering machine with a message that included the home phone number. When he was about six, we went on a family outing where we helped him memorize that phone number. It also became forever etched in my brain. Almost twenty years later, whenever I’d leave a message, Morey’s voice reminded me of that trip.
After an omelet fashioned by Nancy, we got in her car and she drove to the Ahmanson. The theater is in a complex that includes the Ahmanson, the Disney Concert Hall, the Dorothy Chandler Pavilion and the Mark Taper Forum. A formidable group of venues that attracts thousands of visitors to downtown Los Angeles. It also creates mind numbing traffic jams, frayed nerves, much honking and the occasional son of a bitch.
It took forty-five minutes to get to the theater and another forty minutes to get into the parking structure. You’d think that the great minds who built the complex would have made access to it more than just a contest between frustrated drivers; all looking for a way that improves their chances relative to their competition. Parking the car without damage to it or our sanity, we had about five minutes to escalate up six levels in the garage, present our tickets, pee, and get to our seats.
The main seating area seems designed to take full advantage of the mass hysteria that would be caused by a fire or natural disaster. Each row has about fifty seats and there is no center aisle. Getting to our centrally located seats 24 and 25 meant carefully side-stepping down the aisle to avoid crushing the toes, purses and other paraphernalia of those already seated. Excuse me, ooops, sorry, my bad. Thoughts of potentially repeating the process at intermission made my blood run cold.
The play began. I was mightily impressed by the set and, more importantly, the performers. It was as though dancing and singing came as naturally to them as breathing does to me…but with less effort. My god, I thought, there must be thousands of men and women as talented as the ones set before us. Just not as lucky.
At 76, Otis Williams, who formed the Temptations, is the only living member of the original quintet. There have been twenty-three reincarnations of the group since its 1960 origin in Detroit. Its blues music set the gold standard for this genre. The Ahamnson performance featured short clips of songs that included Baby Love, Gloria, My Girl, You Can’t Hurry Love, You’re My Everything, and twenty more.
The original Temptations suffered the usual indignities of too much fame, too little family time, and too much temptation. Blues is an understatement of their sad, lonely and loving music. Perhaps the most poignant moment of the performance came when super talented Ephraim Sykes, playing the role of the bespectacled, ego-driven David Ruffin, sang I Wish It Would Rain. A song that chronicles the emotions of a man who has lost his woman…
Sunshine, blue skies, please go away
A girl has found another and gone away
With her went my future, my life is filled with gloom
So day after day I stay locked up in my room
I know to you it might sound strange
But I wish it would rain, oh yeah…
The first act was long, prompting an intermission trip to the men’s room. Men are lucky, at least when it comes to peeing in public places. Pee, zip, flush. Wrestle with the decision to wash or not to wash, and we’re done. Women either biologically or due to the fashion of the day, or both, require more time and more space; neither of which is in abundance at the Ahmanson. However, in contrast to the farce at the parking lot, the coming and going of women through the restroom is wonderfully choreographed. Attendants are stationed along the line, monitoring the availability of toilets and preventing overzealous she-devils from crashing the line…no exceptions. Bob Fosse would be impressed.
Fearful that we might do an encore of our earlier feet stomping performance, we returned to our seats quickly. More songs poured forth from the stage adding to our delight. When the show ended, no one needed prompting to stand and applaud.
Exiting the parking lot proved uneventful as did the ride home. We talked about the show and its ability to chronicle life’s happiness and sorrows. With music that makes you smile, relate to and cry. Music that makes you remember what was. And what can be when you’re lucky enough to say You’re My Everything.
When my way was dark, and troubles were near
Your love provided the light so I could see, girl
Just knowing your love was near when times were bad
Kept the world from closing in on me…
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