I think that women are more mysterious when wearing a mask.
Women need no help to look more mysterious since I have consistently found them to be unfathomable as well as beautiful. I do not wish to demean their intellectual powers by focusing on their appearance. Their intellectual prowess is legendary as they have proven time and again that they can outmaneuver me with a calculated blink of an eye or a kind word.
The mask merely adds an additional element to the mystery. Before Covid-19, I was challenged only by what lay beneath the usual items of female garb. Slinky pants and strategically buttoned blouses regularly beckoned my curiosity. Always mindful of the prohibition against ogling or leering, I averted my eyes and let my mind do the gawking.
The mask adds yet another opportunity for exploration. It seems to invite a prolonged glance and a peek-a-boo invitation to linger. The eyes are the thing. They, as Shakespeare said, are the windows to the soul. And the Roman philosopher Cicero said, “The face is a picture of the mind while the eyes are its interpreter.”
The masked face does little to hide the emotions of the wearer since they are transmitted by the eyes. When unhappy, we signal it by furrowing our brow, making the eyes look smaller. When happy, we raise our brows making our eyes look larger or bright-eyed and bushy-tailed. Thoughts that may be erotic are also revealed by focusing on the eyes.
The wearing of a mask is perhaps most notoriously depicted in the 1953 film Salome. Although the plot line is somewhat muddled, Salome, as portrayed by Rita Hayworth, performs the Dance of the Seven Veils before the hopelessly in love King Herod, played by the chunky Charles Laughton. This is a prelude to the beheading of John the Baptist and the presentation of it on a platter, merely to satisfy the desires of the lovely Salome. The film, based on a story in the New Testament, takes great liberty in revising the bible. But no one notices since Rita is captivating in her see-through veil.
My personal mask experiences fall far short of the one suffered by John the Baptist. Since persistent ogling of masked Ojai women could cause Jackie to don a veil and shine up a platter, I have assured her that seeing her beautiful brown eyes appear just above the bed covers in the early morning light is a lovely mystery that will never be solved.
I keep an all-purpose mask hanging around my car’s turn signal wand. I also have two or three in a kitchen drawer. And more are on their way from Amazon. But no matter how many I own, I will more often than not forget to put one in my pocket when I leave the house.
Like today. Jackie and I went on our Bataan Death March at seven this morning. A ninety-minute, five mile hike that passes through a middle class neighborhood like ours, a somewhat seedy part of town where tear-downs sell for thirty times what a paid for my first house in 1962, and the Arbolada where no one can afford to live.
Despite her diminutive stature and lovely legs, Jackie sets a quick pace that I feel compelled to emulate. At 81 I need a bit of encouragement and Jackie supplies it in spades. “You are amazing. There is no one like you. You’re faster than me. When I met you, you couldn’t even roll down Signal Street. Now you fly to the top of it.” And other white lies to keep me from staying home and watching Netflix at 7am.
I thought we had ended the hike and were on our way home when I heard Jackie hum the first five bars of a Sousa march. I instantly knew the hike was not over and I waited for her instructions. “Sweetheart, how about we walk over to Java and Joe for some coffee?”
More in need of an IV than a cup of coffee, I nevertheless said, “Sure, can’t wait to add another mile to our walk. Only pussies would think that sore feet and chest pains were justification for skipping such an opportunity.”
Unlike Red states where they believe the battle against the alien virus has been won or maybe never really existed, we are compelled to wear a mask everywhere except mortuary embalming rooms, crowds made up solely of twenty-somethings, and persons old enough to remember who Mussolini was.
The re-opening of Java and Joe following a three-month hiatus was accompanied by Ventura County rules that I am sure were designed to make the coffee experience less joyful. Walking up to the glass entry doors, we are presented with signs that cover fully 95 percent of the available surface area. Welcome Back, But Don’t Loiter made me feel warm and fuzzy. Another, Forget About Cash, It’s Dirty, left a peculiar taste in my mouth.
I reached for my mask in my back pocket and, as is my custom, found none. Jackie, bless her type A personality, had two. I was granted temporary use of the spare and, despite our 24/7 sharing of breaths and a few body fluids, wondered what was hiding in the folds of the mask.
We entered the shop, found no one ahead of us and placed our order. What once seemed a trivial task, is now fraught with challenges. Masks on the faces of both the buyer and seller increase the probability that my coffee might be something other than what I ordered. And, it also makes me appear older and more senile when I constantly repeat the phrase, “What did you say?”
In the quest to avoid transfer of germs that may have taken up residence on the Splenda paper packet or the tiny half-and-half single serving container, the barista is forced to prepare your drink. The procedure eliminates the passage of germs from multiple users to your cup. But it does little to avoid transferring the barista germs to you. Especially given the other duties engaged in by these short timers.
It also removes some of the most satisfying do-it-yourself steps in the preparation process; the exact measurement of the sweetener, the pouring of the languorous creamy liquid, the perfect rotation of the wooden stirrer, and the proper click-sure placement of the black plastic top on the completed masterpiece.
I sorely miss my perfect coffee, however I will gladly suffer its indignities as long as I can freely indulge in the mysteries of a woman’s mask.
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