Living with Limitations

The New York Times recently ran a guest editorial about the French artist Henri Matisse. It was written by Nick Riggle, a relatively young man who has challenges adjusting to his new life after two debilitating accidents.

Matisse also suffered the impact of aging and its effect on his body. His early works were primarily focused on traditional painting methods, and he received great acclaim for those including Joy of Life and Woman with a Hat.

At 71, Matisse suffered a life-threatening illness. Treatment extended his life by 13 years but left him unable to hold brushes, effectively ending that phase of his artistry. Rather than give up his abiding desire to continue the production of fine art, Matisse adopted a collage approach to its creation. With assistance, he could paint a sheet of paper and then cut pieces from the sheet which then were glued together to produce an image. Some of the finished pieces were colossal in size. Blue Nude, and The Swimming Pool are two examples. These pieces done in his seventies and eighties are often described as the high points of his career.

As I read the editorial, I compared what Matisse had done with the challenges in my own life. I am not a great artist with assistants, nor do I yearn to leap tall buildings in a single bound. but over the years I have experienced changes that require adjustments to what I once thought were simple tasks.

I walk a bit slower, stare at sidewalk cracks, and scan for those partially embedded rocks whose tops seek to catch the front tips of my shoes. It may take me a little longer to reach my destination, but I’ve adjusted.

My night vision is poor, so I don’t drive at night. I can always get a ride and am grateful for friends.

Our dimly lit home presents challenges. Buying flashlights and putting them in various places solves most of the problem. I can buy a pack of 18 flashlights with batteries from Amazon but, like pens, they seem to find their own hiding places.

I began to lose my hearing about 10 years ago. At first, I nodded a lot at my companions and hoped that I had not just agreed to lend them money. The acquisition of overpriced hearing aids solved most of the problem. I don’t pretend I can hear you and find that most people are OK when I say could you repeat that?

Sub-titles are an essential component of watching Netflix. I have trained my brain to stare at the captions even if I can hear perfectly. I watched the comedian Tom Papa last night and tried to stop fixating on the written words as they crawled across the bottom of the Roku screen. A failure, I read the punchline before Papa could say it. He wasn’t that funny.

Like Matisse, I have been fortunate in finding new ways to entertain myself, like the ukulele. The instrument is relatively undemanding and, when I am with seven or eight other players, I can hold my own.

I like to think that had I adopted the uke at a much younger age, I would be a much better player. Wishful thinking, probably, since I’m sure my disdain for practicing would have held me back regardless of my age or the cussedness of any instrument.

Getting caught up reading the Matisse op-ed piece, I wrote a response to it…Dear Editor, I have recently taken up the ukulele at the age of 83. My fingers aren’t agile enough to play chords that require four fingers or are spread over too many frets. So, I just skip those chords, but I keep on singing. And I have a good time even if my body isn’t as good as it used to be.

Attempts to address my physical limitations with devices and substitutes, are nothing when compared to the challenges facing others. This could not have been more evident than when we visited Saint John’s hospital in Camarillo just before Christmas.

Five of us brought our ukuleles and our voices to the extended care unit where a dozen largely silent patients awaited our presentation of holiday music. Unit residents were mainly in wheelchairs, and some had a special breathing apparatus. They had positioned themselves within ten feet of us and seemed anxious for us to start.

We began with A Holly Jolly Christmas. An upbeat song written by Mitch Gabler and first performed in 1964 by Burl Ives, the album also had Rudolph the Red Nosed Reindeer. I was a little nervous as I sang the Holly Jolly lyrics…

Have a holly jolly Christmas
It’s the best time of the year
Now I don’t know if there’ll be snow
But have a cup of cheer

I had doubts about the audience reaction to the lyrics. Would they feel less than jolly, and would some be unable to have a cup of cheer? Would they agree with the song’s claim that this was the best time of the year?

I occasionally looked up from the sheet music and scanned the faces.  Nearly all were covered with masks and guessing what was going on under them was nearly impossible. We played on.

The song ended and there was applause. Not polite applause. Real appreciation.

I relaxed and so did my band members. We quickly launched into Love Potion #9 and Robert played the kazoo. And then Feliz Navidad followed by Jingle Bell Rock, My Favorite Things, and a dozen more. We became more animated. I sang a few lines acapella when the feeling took me. Maybe it was just me, but as we played on, I was sure the applause had increased in volume and duration. We did an encore. And then one more.

I imagined the faces under the masks. I was convinced they were smiling. For while their physical capability was limited, their capacity to enjoy the music was unlimited.

I forgot about the F# and Bb chords that were always too much for me. I played as if all the notes were nested in a single fret. I had overcome my feelings of insufficiency. I had made people happy despite my limitations. I rivalled Lady Gaga. 

We ended the hour by sharing cake, pastry, and other sugar laden treats. I thought it odd that the hospital would be serving stuff like that. And then I remembered that we were celebrating the holidays. A perfect time to cheat and enjoy the sweets before heading back to real life in the extended care unit.

As we packed up and headed to the exit, I realized that we were not quite ready to bring our act to Carnegie Hall. But despite our limitations, we had found a way to bring a substitute to those who needed it. Matisse would have been proud of us.

One of the nurses reached out to me as I passed her. She grabbed my hand, thanked me, and wished me a merry Christmas. I promised her that it would be.