Archive for the 'Community' Category

The Movies Are In Town

The Ojai Film Festival began this week. Steve Grumette, the festival’s artistic director, locked himself in his room from mid-August through September, viewing some five hundred entries. Assisting him in this herculean effort was a distinguished panel of movie buffs who finally selected the eighty-three films that made it to this year’s screen.

Steve and his comrade in arms, Jon Lambert, have been key actors in the event ever since the first festival in 2000. Since then, thousands of films have been delivered to them by aspiring directors, screen writers and actors.

This year’s festival runs ten days, from early morning to late at night. Tickets can be purchased for a single showing of about two hours, or for the entire festival. For some, viewing every one of the eighty-three films is akin to participating in a scavenger hunt with prizes awarded at each showing. People who participate at this level can be easily identified by the “All Events” pass hanging around their necks as well as their albino skin, beady red eyes and a paranoid aversion to sunlight.

A very professional looking brochure describes the films, show times and where they can be seen. True aficionados carefully analyze the showings and meticulously plan their visitations. I, on the other hand have but one requirement that takes precedence over all the other variables. It’s the venue and its physical comfort that are uppermost in my priorities.

Over the years, the festival has shown the films in various locations. This year there are but two; the Ojai Art Center and the Sane Living meeting room. The Sane Living meeting room was once the local mortuary which, due to a lack of enough deaths in the community, closed its doors. The building then experienced several reincarnations. The latest is a very attractive facility that features a vegan restaurant and the aforementioned meeting room. Regardless of the attractiveness of the facility, I shall forever think of it as The Funeral Home.

I do not sit well on anything other than a well upholstered chair. Anything less and my fanny begins to sing to me after about thirty minutes. And not sweet lullabies. No, more like a Sousa march that is urging me to get up from my chair and relieve the discomfort that has taken up permanent residence in my nether regions.

The Funeral Home offers folding chairs that can best be found in aisle five at Costco. A semi-cushioned seat falsely beckons one with the allure of the Greek Sirens. Past experience has taught me that my fanny cannot make it through a full-length film. Random shuffling on my seat begins at the thirty-minute mark. Alternately crossing my legs and shifting back to front gives only momentary respite. At the forty-five-minute mark, all is lost. I am totally focused on my aching buttocks and have no idea what’s happening up on the silver screen.

It is for this reason that I eliminated The Funeral Home from consideration. My attention was completely focused on The Art Center. The Center with its penchant for artistic as well as physical well being has recently installed new, fully padded seats. I could probably endure a double feature albeit with a great deal of squirming, pant leg stretches, and an infinite number of pee breaks.

On Thursday evening, Jackie and I journeyed to the Center. In our quest to be the skinniest couple in America, our sustenance that day had consisted of only a small Acai bowl ably prepared in the Arcade by Revel. I don’t really believe that Acai bowls are any more healthful than a double-double chocolate sundae with a gob of whipped cream. But it makes me feel better to fool myself into believing in the yet unproven health benefits of Acai.

We both love popcorn. Jackie can convince the snack bar server at most theaters to prepare a fresh batch of the stuff. I’m not exactly sure how she does it, but I think it has something to do with feigning a chronic illness that requires that the popcorn be consumed in less than ten minutes from time it is popped.

As the Film Festival was not popping corn, we took it upon ourselves to clandestinely stow two bags of Boom Chicka Popcorn in a cleverly disguised tote. One bagful covered with Sea Salt and the other with Salted Caramel. I took the precaution of doubling up on my blood pressure medication.

Upon arriving at the Art Center, we were informed that food was unwelcome in the theater. The Festival had promised to keep the new seats pristine and were, therefore, only permitting entry with nothing more than water bottles. With nowhere to stash the Boom Chica Popcorn, we, however, felt obliged to take it to our seats where we silently swore to forego its marvelous taste. That oath lasted about ten minutes. The craving was overwhelming, and we silently ripped a San Andreas fault-sized tear in one of the bags. Realizing that chewing the delectable morsels could give us away, we ate them one kernel at a time, first soaking them into submission with our own saliva. Not yummy, but acceptable.

The first film was a five-minute animated short called Surfer Joe. The two guys who produced the film spent more time answering questions than the time consumed in running the film.

The second film, Lessons, ran ten minutes. I have no recollection of what it was about.

The third, and anchor film, was called Whitefish Season and its scheduled run time was ninety-eight minutes. Made in the middle east, the film was subtitled. Given my hearing loss, ably attested to by the two monoliths ensconced behind my suitably large ears, I hunger for subtitles. However, perhaps because of the supersonic talking speed adopted by the mostly shrieking actors, the subtitles whizzed by at the speed of light. As I was unable to tear my eyes away from the subtitles at the bottom of the screen, the film might as well have been a book. Some twenty minutes into the film, and never seeing a whitefish, Jackie and I looked at each other, retrieved what remained of our Boom Chica Popcorn and exited the theater.

Overcoming our depression, we returned to the theater on Saturday and saw Nose to Tail.  A handsomely crafted film, it chronicles one day’s unimaginable nightmares suffered by its protagonist, an aging chef. The film more than made up for the disappointments of our prior day. We celebrated by devouring a full platter of ribs at the Deer Lodge.

The people who made, and then submitted, the five hundred films are to be congratulated for their willingness to stand up and be panned by people like me. Their courage to do something different and to risk being unheralded or worse is cause for true celebration.

“The saddest journey in the world is the one that follows a precise itinerary. Then you’re not a traveler. You’re a fucking tourist.”
― Guillermo del Toro

I’m a Townie

The ride up the Dennison Grade last Thursday was interminable.

I had made that trip, sometimes twice a day, for nearly twenty years. More than seven thousand round trips. I start by driving one mile down Sulphur Mountain Road, carefully avoiding collisions on the all too narrow road. I turn left on Highway 150 after assuring myself that speeding cars are not lurking in the shadows of the ancient oaks that line the road. I cruise by the seasonal yellow mustard fields on the Black Mountain Ranch. I wind down the seemingly endless Dennison Grade, ticking off the twenty-three turns. I reach the bottom of the hill where Boccali’s restaurant gives me the first evidence of a civilization set apart from the Upper Ojai. Not yet finished, I drive another two miles into the middle of town. A one-way total of eight miles. Consuming thirty-six minutes of my life during each round trip.

And I had loved nearly every minute of it. Until last Thursday.

Two weeks earlier, I had sold my house on Sulphur Mountain Road and had moved into town. I traded those thirty-six driving minutes for the freedom to walk to restaurants, stores and community events. In those two weeks I thought that my car’s fuel gauge had malfunctioned; it didn’t seem to move. I walked to a friend’s house for dinner last Tuesday and thought “In twenty years I’ve never gone out to dinner without first getting into my car.”

I had lived those many years in the Sulphur Mountain house. My sweetheart and I built it. She died in it. With her death and my inevitable aging, it became clear that I needed to move from the mountain to the town. With her passing, the house seemed to have doubled in size. It had become too silent. Even the birds seemed to visit less frequently. The olive groves, once a delightful diversion, now seemed a burden. The mountain vistas lingered, but the inevitable night abruptly shut them down.

Jackie loved the spaciousness of the mountain house during her too infrequent visits. Spoiled by the advantages of town living, her zeal for dragging that very cute fanny up and down the Dennison Grade waned. Night driving on the darkened roads proved too much of a burden. She never said, “You should move.” But my feelings for her helped push me off the mountain and into “Townie” living.

It took fifteen months to sell the mountain home, and one day to buy the home in town. Escrow on both homes closed the same day; think of it as a whirlwind love affair. The town home is about half the size of the mountain home and its diminished storage capacity was a challenge. Twenty years of accumulated detritus required a hardened heart as I waded through it. And in every room, closet, drawer and cabinet I was confronted by memories. Photographs seemed to emerge from everywhere. Birthday and anniversary cards numbered in the hundreds. Like buried land mines, Ila had stowed them in dark recesses that hid them from prying eyes.

Letters between two lovers had been placed in the backs of her dresser drawers; I could not bear reading them. And in every instance a decision was needed. Toss or keep. At first, I kept nearly everything. As I realized the futility of it, I began to toss more. Would the children be deprived of some legacy if I tossed rather than kept? Probably not, I lied to myself. So I tossed more and more. Without ceremony. Without a proper burial. Like junk, the cards, letters and photos were deposited in king-sized black plastic garbage bags. Lugged to the garage, they awaited a trip to the dumpster. There were times I wanted to run after them. But didn’t.

Packing boxes soon littered the house. My god, I thought, who needs seven frying pans. A fish poacher that had been used once with disappointing results. Twelve different fruit extracts, only one of which had ever crossed our palates. What were we thinking when we saved scores of empty plastic containers with mismatched lids? Silverware that hadn’t seen the light of day more than twice in twenty years. Ten flower vases that had once held the precious flowers I sent her.

The movers arrived with the cast from Spartacus. Brawny guys, lean and mean guys and one that looked like he needed a good meal. They wrapped artwork, hung clothes in garment boxes and dragged everything onto two trucks. “It’ll never fit in the new house” I thought. But it did. All sixty-five boxes, a rowing machine and Jackie’s treadmill in a pinch.

Oliver and I unpacked. As we did so, I felt the urge to toss some more. And I did, setting aside items that might find their way into more needy hands. We filled cabinets. We stuffed clothes in bedroom dressers and filled every square inch of kitchen space with only three frying pans and a blessedly diminished horde of other items. It was sort of like running a video of the packing phase, only backwards. Empty boxes and discarded wrapping paper were enough to start an Ojai version of the Chicago Fire.

I’m settling in. I can hear cars go by. They make a whooshing sound, just like the surf rolling in off the Pacific. People are as close as a hundred feet away. Their faces visible. They stop, we chat, just like neighbors are supposed to do. There are two youngsters next door at Danni’s and James’ house. My doorbell rang last Sunday, and Danni’s brother was there asking me if it was alright to come into my yard to retrieve a ball the kids had tossed. “Sure,” I said. “Please do, and then do it some more.”

I always wanted a porch. And now I have one. It’s an overstuffed chair that cost $5 at a garage sale. It sits in my garage. I open the overhead door, grab a sandwich and sit in that chair. I can see some of the Topa Topa mountains. But more importantly, I can see and hear the sounds of life.

I drove up to the mountain house last Thursday to check my old mailbox. The ride was interminable. I’m glad I’m a Townie.

Now that’s what I call music

Susan and I were in the library bookstore waiting for the Servpro man. We’ve been trying to locate a mysterious odor that’s bedeviled us for over a year, and had high hopes that our search would end with the Servpro man’s arrival.

Chatting while waiting led to my description of the Sunday Music Festival closing concert that included Stravinsky and Gershwin. “Gershwin? Now that’s what I call music”, Susan said with her voice and her infectious smile.

I know what she means. Call it avant garde, cutting edge, new age or atonal, the Ojai Music Festival is either fabulous or unfathomable, depending on your willingness to absorb all it can throw at you. A festival that points with pride to a symphony composed for kitchen plates, and pianists who play with their elbows, it minimally deserves kudos for the bravery it shows in the face of potential brickbats.

Last year we bought tickets to all the events, spanning four days and nights. I laughingly remember the locker room conversation I had at the athletic club with a fellow member immediately following last year’s festival. He, like most Ojai citizens, hadn’t gone to the festival but had been close enough to hear the performers practicing at Libbey Bowl. I asked, “How did you know it was practice?”

Having learned our lesson, Jackie and I cravenly decided to limit our exposure. We only bought tickets to a single two-hour performance, the Sunday late afternoon closing event. Anna, who works for the festival, had touted me on this one, saying “Try it, you’ll only be moderately disappointed.” She wasn’t being funny since she knows my limits and is wary of over-promising.

With some trepidation and armed with our $150 tickets, we coasted into the bowl and located our seats. On the left, five rows from the stage, on the aisle. A note was stuck to my seat that said “Fred, thank you for your generous support of the festival this year. You help make it possible.” Oh, so now it’s my fault, I thought.

We waved at those we knew, traded hugs with those closer by. We sat on blow-up seat cushions that I had long ago learned were the make or break feature of any event at the bowl. We were early and, as punishment for our ignorance of protocol, periodically shifted in our aisle seats in order to allow others who were fashionably late, to pass down the row to their seats.

I picked up the 126-page program book. A feat by itself. Readily admitting to my need for recognition, I flipped to the donor pages and found my name. Two years ago, Ila’s name was also there. It now was sadly conspicuous by its absence. I also thought back to the loss of our son, Steven, eight years ago and the beginning of our annual donation in his memory. A stubborn musician with unfulfilled aspirations, I think he would have appreciated our support of the dozen festival interns, a fledgling group of budding musicians.

Though the bowl was nearly full, no one sat in front of us. Somehow making us feel special, we waited. It was very warm. People were dressed casually. Some had removed their shoes. It was comfortable and without tension. The occasional bird made welcoming sounds. Just enough breeze blowing to take the edge off the heat.

The musicians, members of the Dutch ensemble, Ludwig, entered the stage casually, without caring about the attendant noise of adjusting their chairs and music stands. Fifty men and women in relaxed clothing, they mirrored the attire of the audience before them. Young and energetic, they had survived nearly four days of demonstrating their prowess and were ready for the finale.

Barbara Hannigan, the conductor and an accomplished soprano, entered stage right to an obviously enamored audience. Clapping hands and some early over-anxious risers greeted her.

The performance began with Stravinsky’s Pulcinella.  Described as a comedic ballet interspersed with songs, it has twenty-one movements, from overture to finale. I normally dread anything more than three movements since I am forced to count them down, 21, 20, 19…while lusting for the blessed finale. It can make for a very long afternoon.

Yet I was surprised by my reaction. Rather than being atonal or unfathomable, I found it boring. I wanted something more cutting edge. Something more challenging. Something to hold my attention. Was I becoming one of them? Them that I had criticized for admiring the emperor’s new clothes. Them that had bedeviled me for years as lovers of the unlovable. Then there was a break. Time for me to recover from what surely must have been caused by the heat.

Back in our seats, we quickly dispatched Haydn’s Symphony Number 49 and awaited the closing piece, Gershwin’s Girl Crazy Suite. Based on a 1930 musical with music by George and lyrics by Ira, I craved hearing what Barbara Hannigan had done with it. I was not disappointed.

Beginning with But Not For Me, we were in for a treat…

They’re writing songs of love, but not for me
A lucky star’s above, but not for me

And then Hannigan drove the musicians through Strike Up the Band.

I fell madly in love with her when she conducted the musicians while facing the audience, and sang Embraceable You. The musicians became an accompanying chorus and I was enthralled.

Embrace me, my sweet embraceable you
Embrace me, you irreplaceable you

I’ve Got Rhythm brought a toe tapping frenzy to the audience, and a fantasy of leaping onto the stage to dance with Barbara like I was Fred Astaire, instead of Fred Rothenberg.

And then, before I knew it, it was all over. Two hours had passed in a blink and I had never once thought, like in past years, when will this thing end?

Dear Anna was wrong…I wasn’t moderately disappointed.

It was Susan, waiting for the Servpro man, who was right…now that’s what I call music.

 

Coffee, comfort and caring

Legend has it that coffee beans were discovered by the Ethiopian goat herder, Kaldi. Watching his goats eat the berries from the plant, the goats became excited and were unable to sleep. And so, being a Republican, Kaldi started a business that now delivers these very same beans to Java and Joe.

Maybe not, but here are some other facts:

  • Americans drink 400 million cups of coffee every day.
  • Half of us would give up our daily shower rather than give up coffee in the morning.
  • More than half of us would rather gain ten pounds, than give up our coffee for life.

Maybe that’s why many of us coffee addicts are fat and smelly.

Having successfully concluded this morning’s treadmill exercise without falling off the athletic club’s machine, I stopped by Java and Joe for my usual medium dark roast. I look forward to the first hot sip of that full-bodied brew, much like that first sip of a cold beer. Sometimes I have a muffin, complete with high gluten flour and a week’s supply of granulated sugar. Sometimes, it’s just the high caffeine coffee that I crave.

The cherubic faces that greeted me behind the counter today did not include either Joe or Lorraine, the shop owners. That visual clue activated my memory cells and reminded me that Lorraine was undergoing a medical procedure this morning that would probably lay her low for at least a month.

Everyone that’s a regular at the coffee shop has known of Lorraine’s health challenge for months. Invariably, someone ahead of me in the coffee queue would ask Lorraine “How are you today? When are you scheduled for your procedure? I’m sure everything will be fine. How long will you be recuperating? We love you.” If I was alone in the queue, the questions were often posed by me. Balancing my concern for her well-being with a possibly unwelcome intrusion into her life can be difficult.

Lorraine is a mature woman with a motherly attitude. Efficient is an understated description of her prowess. Her welcoming smile brightens my day. Even with a cloud hanging over her, much like the one dogging the Al Capp character Joe Btfsplk, Lorraine manages to keep her sunny smile and upbeat conversation in spite of chemotherapy and the attendant floppy hats. Over the last few months, there was little evidence that contradicted her usual sunny demeanor.

Perhaps it’s the coffee shop itself that plays a supportive role in this great adventure. Open twelve hours every day, it is full of mismatched furniture, and a concrete floor with an unintentional paisley design that defies description. An old sign taped to the wall warns of dire results should the microwave and the toaster be switched on at the same time. Greeting cards are stuffed into racks that require the skill of a contortionist to view them. Muffins and scones, ordinarily displayed with aplomb, are sometimes hidden from prying eyes.

But none of these shortcomings seem to matter to those of us who are regulars. Or maybe it’s because of these imperfections that we come back time after time. We are comfortable with the shop’s eccentricities, since they are also reflective of ourselves. Distastefully, the thought of going somewhere else is anathema. The habitual returning faces are familiar to us and form a comforting tapestry that allows us to slide easily into an otherwise frenetic day.

Much like that of the athletic club, the coffee shop provides the social contact I treasure. I often sit alone at a table, but I do not feel alone. Like a voyeur, I sometimes mentally participate in the conversations that surround me. Because we are creatures of habit, I can sometimes predict what’s coming next. I watch them as they walk through the door, hoping that I will be blessed with a familiar face. One with which I can share a few sentences or, if I’m very lucky, a seat at my table.

Even in solitude, I can explore my memories of fellow coffee enthusiasts that are etched in my mind. David, whose accounting office is up the stairs and who donates his skills to many of Ojai’s non-profits. Tom, who did Ila’s hair in his adjacent salon and who responded graciously to her repetitive questions and stories as though he’d never heard them before. Right up until the very end. The fireman who shared his stories of the devastating December fires. The strangers who seemed as anxious as I was to have a conversation without boundaries. And, if I was very lucky, watching Jackie glide through the door with her irresistible smile.

The morning was quiet, and my attention was drawn to the greeting cards. I like the ones with the pithy, sometimes predictable sayings. Some are flat out wrong like We only regret what we don’t do in life. I only wish it were so. Or, Why do I feel as stupid now as I did at 20? I certainly know more than I did at 20, I just keep ignoring what I learned. But some are spot on like, My housekeeper judges me. And one of my perennial favorites, Be yourself. Everybody else is taken.

Many years ago while driving the Help of Ojai bus, I transported a wheel chair bound patient to the Ojai hospital. Finished, I was stowing the chair lift when a physician stopped to speak with me. He told me how much he personally valued the service we provided and then said something that has stuck with me. His smile softened and he quietly said, “Remember, we all walk down the same path.”

As I age, his words become more relevant and gain greater importance. I realize that life is fragile and, like Lorraine, could take me down a more difficult path. But it also makes life more precious. Like my other favorite card says, Whatever you are meant to do, do it now. The conditions are always impossible.

Be well Lorraine. I love you.

Crazy For You

Jackie and I made a spur of the moment decision Sunday morning. The Nordhoff High School kids were performing in Crazy for You and we had two hours to kill before our dinner date with friends in Oxnard.

Buying tickets was easy. You can do just about anything in bed so long as you have a smart phone. Jackie’s near obsession with the phone came in handy as her fingers whizzed across the key pad, every so often stopping at the enter key. Slam-bam, two tickets purchased and printed, including reserved seats.

The show was at the Matilija Middle School auditorium. Once filled with over two hundred seats designed for ten-year-olds who gleefully watched their parents suffer in cramped quarters, the auditorium now has seats big enough to get me through a two-hour sitting without tush fatigue.  A sell-out, our last-minute ticket purchase landed us in the rear of the auditorium, next to a chilled, rock hard wall.

We parked Jackie’s car and walked to the theater where we found John Hoj, the man saddled with the responsibility of casting the show. Normally somewhat muted, John comes alive when confronted with this kind of challenge. We wished him luck, but we all knew it was too late for that. People were already seated and waiting for the adventure to begin.

The room was nearly full. Recognizable faces dotted the throng and we waved and touched people we knew. We found our seats and began to settle down. The two seats directly in front of us were empty, affording an unobstructed view. But, based on my long history of sitting behind big hair and tall bodies, I knew it was only a teaser. As ordained, a normal sized woman and a Charles Atlas of a man, wearing a baseball hat of course, arrived and ruined my reverie. Mr. Atlas shoe-horned his way into the seat, squirmed a bit, and thankfully removed his hat.

He proved to be a shape-shifter. Someone who moves sideways, up and down and even diagonally in his seat. Sitting behind him caused me to match his movements in order to maintain some semblance of a semi-obstructed view. Those behind me were obliged to emulate my movements. Seen from above, it must have appeared as though we were performing the wave. During the show I was afforded a reasonable view of the left and center stage. Goings-on at stage-right were an unsolvable mystery.

What I saw of the show was wonderful. Some of the kids are obviously the beneficiaries of much talent and a goodly sum spent on private instruction. The other kids were showbiz stalwarts who knew that the show must go on, even as extras. The presence of a dozen or more musicians backing all of them up lent a Broadway like feeling to the performance. Reminding myself that these actors were not professionals helped keep things in perspective.

The behind the scenes stars of the show are George and Ira Gershwin. Based on the song writing team’s 1930 musical Girl Crazy, this show incorporates other Gershwin tunes and was first performed in 1992 when it won Broadway’s Tony Award.

Every musical piece begged for another. I could not get enough. My foot tapping escalated to singing along with the cast. Jackie’s soft left hand applied gentle caresses to my right knee as a benevolent caution to keep it down. I was euphoric. My smile must have been visible to astronauts on the moon.

As each tune was sung, I pointedly compared the lyrics to my own feelings. Much of them centered on Jackie. Biding My Time, Shall We Dance and Someone To Watch Over Me were surely intended to yank my heartstrings and dig deep down into my cerebral cortex as I reveled in their familiarity.

Although Embraceable You is sung by the show’s female lead, Polly, I can put my male heart into the lyrics as I silently sing the words to Jackie…

Embrace me,
My sweet embraceable you,
Embrace me,
My irreplaceable you
Just one look at you — my heart grew tipsy in me.
You and you alone bring out the gypsy in me.
I love all
The many charms about you;
Above all I want my arms about you!
Don’t be a naughty baby
Come to Polly — come to Polly — do!
My sweet embraceable you.

Or, listening to the poignant words of They Can’t Take That Away From Me, I was reminded of the many times I’ve thought about losing her…

The way you wear your hat,
The way you sip your tea,
The mem’ry of all that —
No, no! They can’t take that away from me!

The way your smile just beams,
The way you sing off-key,
The way you haunt my dreams —
No, no! They can’t take that away from me!

We can never, never meet again
On the bumpy road to love,
Still I’ll always, always keep
The mem’ry of —

The way you hold your knife,
The way we danced ’til three.
The way you changed my life —
No, no! They can’t take that away from me!
No! They can’t take that away from me!

I used to go to the opera at the Dorothy Chandler Pavilion in LA where I’d listen to Tosca’s lament and feel every note of Madame Butterfly’s aria. Tears would fill my eyes and I’d wonder why.  The same thing happened to me last Sunday in Ojai.  And I knew why.

Coffee with friends

My apologies to Joe and Lorraine.

You may recall that my last article extolled the virtues of the Java and Joe coffee shop; except for the pastries which I dubbed atrocious. Included in my scientific evaluation are several varieties of muffin including the always faithful blueberry, the hypnotic almond-poppy seed, and the stick to the soles of your shoes, multi-napkin consuming, honey bran muffin.

Abetted by an assortment of Saharan-dry scones, all the pastries have a definite made yesterday taste. Wrapped in individual plastic wrap booties, they stare forlornly and beckon the unwary to taste me. Sparsely populating a half-dozen cubby holes in Joe’s display cabinet, their lonely appearance acts as a warning, much like a sea-cliff lighthouse that warns passing ships to stay away.

In my zeal to caution you about the perils of selecting either last week’s muffin or last month’s scone, I unforgivingly neglected to mention the coffee cakes. There are two offerings that deserve at least a three-star rating and a pat on the back for the baker. The first delicacy is a sour cream, cinnamon delight, and the second is a blessedly moist zucchini pieces de resistance. Both cakes have been sliced by hand, as evidenced by their random thickness. I regularly spend time hovering above the stacked slices, looking for the one that has my name on it. I always select one from the middle of the stack and recommend them highly. Please buy some when you next visit the establishment, thereby diminishing their number and assuring me of a fresh batch the next time I frequent the shop. And tell Lorraine that I sent you.

Today began with a trip to the athletic club for an hour of vista-less, mindless treadmilling. If it were not for the availability of ubiquitous Netflix at each machine, I would have given up my mind-numbing cardiovascular efforts long ago and stayed in a warm bed. My treadmill drudgery was followed by a twenty-five-minute workout with Ralph. It’s really supposed to be a thirty-minute session, but Ralph is as bored with it as I am. I don’t blame him for cutting it short and using the extra time to preen for his 8:30 yoga class.

I showered and then made the easy decision to skip shaving. It’s too big a hassle searching for hot water at the club sinks. The porcelain beauties are fitted with those cute little cutoffs that stop the water just when you need it most. Normally cold, you can sometimes coax warm water from the spigot by shielding the sensor with your hand. A tedious task that causes low level grumbling to escape from my lips. It’s a crap shoot that all too often ends with a shock of icy water on my face. Fortunately my beard is white, matching my skin pallor and, therefore, only visible to close-up visitors. So, with the exception of Jackie, no one else seems to notice. I sometimes skip three consecutive days of shaving and only succumb to the razor when people stop me on the club steps and offer me a hand out.

I dressed, said good-bye to the nearly empty locker room, and made the three-minute trip to Java and Joe. I found Dave and Jim sitting at a table finishing their morning brews. Not wishing to interrupt them while they were debating the merits of The Wall, I simply nodded politely and ordered my usual medium-size dark roast. Adding one pack of Splenda and an inch of half and half to the already delicious brew, I turned to find Rosalie, my real estate broker, staring at me. Not wishing to embarrass her with a cascade of questions focused on why hasn’t my house sold yet, I nodded (I do a lot of that, especially when I’m not sure if I know who I’m confronting) and made my way to a table next to Dave and Jim.

Dave was in the process of rearranging the chairs that surrounded the table in order to reduce the glare from a white truck parked across from the coffee shop. Completing the most strenuous effort of his morning, Dave asked if I’d like to join them. Always one to savor the company of others, I pulled up a chair. Not the black wrought iron one that tests your glutes’ patience, but the gray basket-weave variety that gives your tush a sporting chance.

Dave is well-read and a master of trivia. The two traits give him plenty to talk about and leave me in the comforting position of needing only an occasional head nod to keep things going while I finish my coffee. I had also selected a piece of yummy zucchini cake. A nice thick one today; where the Super Glue sticky edges of the cake coat my fingers, and require a periodic lick or two.

Dave reminded us that in 2019 we are celebrating hundredth anniversary of proving Einstein’s theory of relativity. Arthur Stanley Eddington’s 1919 expedition confirmed Einstein’s prediction for the deflection of light by the Sun during the total solar eclipse of May 29, 1919. In a nutshell, Arthur proved Einstein’s theory that gravity bends light. What a relief that must have been.

Moving to a loftier plain, we were introduced to Dave’s new hearing aids. The ear-trumpet of earlier years has been replaced by a miniature, transistorized marvel costing a bit more than your grandmother’s device. Our conversation was timely, as I had just yesterday made an appointment for a hearing test at our local provider.

I decided on hearing aids because I have tired of my continuous use of the word “What?” as the second most popular word in my vocabulary. In conversations that take place in settings with significant ambient noise, I find myself either saying “What?” or merely shaking my head in an assenting manner. The head shake is fraught with danger and should always immediately be followed with a shrug of the shoulders in order to confuse the true meaning of your response. I’ve become quite proficient at it.

Arlene arrived for her morning coffee. A striking, confident woman, we welcomed her with opened arms. A kiss on the cheek made our morning complete and we prepared to leave. We all had things to do, including getting older.

It was going to be a very good day.

Pot Parade

You’ve come a long way, baby.

When I was much younger, the thought of smoking pot was very exciting. That I might be arrested and jailed for possession of the forbidden substance made it an adventure. Keeping it secret from friends and relatives only added to the enjoyment of what was, at most, a once a year habit…I swear.

My buddy Ralph and I would enjoy a joint and, when we had more time for the body to recognize the drug, ingest it baked in a brownie. I remember the first time we ate one of the forbidden desserts. We were sprawled on the floor of his den waiting for our stomachs to absorb the drug and deliver it our brain.  After ten minutes, I said “I feel nothing.”

“Me neither” he agreed. Twenty minutes later, as we were about to call it a day, I said “I feel a itty-bitty tingle in my left elbow.” And then the world turned itself on for us.

Once legally unavailable at all, clearer heads eventually prevailed, and the drug was provided to those who could conjure up a medical prescription. Thankfully, California voters in 2018, having seen the light, legalized the sale and consumption of pot, weed, grass, dope, herb, reefer and joints. As expected, a raft of regulations accompanied the burgeoning pot parade.

The California Bureau of Cannabis Control is largely responsible for promulgating and enforcing the regulations. The first paragraph of the regulations gives you some idea of what’s in store for anyone wishing to make a legal buck supplying the masses with the mind-altering substance…

  • A temporary license is a conditional license that authorizes the licensee to engage in commercial cannabis activity as would be permitted under the privileges of a non-temporary license of the same type. A temporary licensee shall follow all applicable rules and regulations as would be required if the licensee held a non-temporary license of the same type. (b) A temporary license does not obligate the Bureau to issue a non-temporary license nor does the temporary license create a vested right in the holder to either an extension of the temporary license or to the granting of a subsequent non-temporary license.

The first dozen pages of the regulations are devoted entirely to guiding one through the arduous process of filling out an application to sell weed. Notwithstanding the not insignificant regulatory obstacles thrown in the path of anxious sellers-to-be, the demand for licenses has surged ahead with as much determination as one seeking cheap tickets to Hamilton, the musical.

There are now three pot dispensaries in Ojai. All are located on Bryant Street along with the humane society, a self-storage facility, a veterinary hospital, a fitness center and a clandestine mobile home park. If we could coax Trader Joe’s to take up residence, one might never need to leave the cozy confines of Bryant Street.

On Saturday, Jackie and I were finishing up a $43 lunch of two salads and an order of fries at Ojai’s newest touchy-feelie restaurant when she said, “It’s such a nice day. Why don’t we walk over to Bryant Street and visit one of the pot palaces.” Excitedly throwing caution to the wind, I quickly ate my last fry that I had dipped in something that pretended to be mayonnaise and leapt to my feet, ready to take on a brave new world.

No one walks down Bryant Street on Saturdays. It has no views, no trees, no sidewalk and a host of buildings that look like temporary facades put in place by a Hollywood movie crew. A perfect place to hide a pot dispensary from public view.

We arrived at 408 Bryant Circle, Unit C, the home of the Sespe Creek Collective. Unassuming from the outside, I entered expecting to find a host of shoeless young people adorned with pierced noses, eyelids and other desecrated body parts. Tattoos were sure to be front and center. Harleys were certain to be their conveyance of choice.

We found ourselves in a waiting room overseen by a very large security guard, and two normal appearing people seated behind a desk. The large guard asked me to remove my hat so that the overhead cameras could have a clear view of my smiling face. I fully expected to find myself emblazoned on a wanted poster in the next episode of HBO’s True Detective.

The acceptance process included electronic registration into Sespe’s database. No more hiding from the Feds for me. Anonymity was no longer an option. I was sure that a call for my apprehension would soon deliver the FBI to my Upper Ojai doorstep.

We waited for a few minutes. A door opened and a smiling young woman greeted us with “Hi. I’m Cathy and welcome to Sespe Creek. Come with me and I’ll give you a tour of the dispensary.” We entered a showroom that was modern, clean and tidy. A dozen customers milled about. Of various ages, none sported visible tattoos or extraordinary skin punctures. In short, they looked a lot like us.

A myriad of products met our gaze. I must have looked as wide-eyed as the kids who entered Willy Wonka’s chocolate factory. Paying close attention to Cathy, I learned that there are two basic types of compounds produced by the cannabis plant. One is THC (tetrahydrocannabinol) which is the substance ingested by Ralph and me that produced various flights of fancy as we sprawled on the floor of his den. The other, CBD (cannabidiol) has no hallucinogenic properties and therefore no fun; it does, however, have purported medical benefits.

Impressed by Cathy’s abundant fact base and hoping for some improvement to my left knee, I bought some CBD infused salve that promised to reduce pain and swelling. But just in case the salve didn’t work, I bought some THC infused mind-altering bite sized licorice packed in really cool individual wrappers.

Cathy took my credit card like any other establishment would and placed my goodies in a cute paper bag that was imprinted with various cautionary statements that I dismissed out of hand. Happily, we left the facility looking forward to using our new-found goodies.

Here’s hoping my knee aches.


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