Posts Tagged 'Music'

Ojai Music Festival…the aftermath

My sweet neighbor June is busily washing towels and sheets. They were used by her friends who I graciously allowed in my guesthouse this past weekend. Friends who came from as far away as the East Coast to revel in the glories of the Ojai Music Festival.

June is not only in the laundry business, she cooks for her friends, edits the Festival program and attends nearly every minute of the five days of the Festival. During all that time I never heard a complaint emanate from her lips. Nor did she ever appear tired. A major accomplishment when compared to my napping during much of the Festival’s sturm und drang.

Thursday night started innocently enough when Patricia Kopatchinskaja, this year’s music director, made her way through the throng of concert goers gathered near the entrance to the Bowl. Much like a stalking lion, she moved stealthily from station to station, stopping only long enough to call forth indecipherable shrieks from her violin. Like lemmings, her ardent followers tracked her, were mesmerized by her, and undoubtedly felt that this was something to write home about. I, on the other hand, worried about things that were yet to come.

I entered the Bowl and found my seat about halfway down the aisle. I have learned the importance of sight lines. Without going into nauseating detail, a “theater with good sight lines” means that most, if not all of the viewers, can actually see what’s going on in front of them. Unfortunately, my sight line was partially blocked by a tall, middle-aged gentleman who also had the unfortunate habit of moving laterally left to right causing me to continually re-adjust my fanny and head position. He was like a camera shutter, opening for one hundredth of a second while staying closed most of the time.

Mindful of others, I found my seat movements constrained by the good neighbor policy. I visualized those behind me, those behind them, etc. moving like a wave in unison to my shifts. I therefore sheepishly limited my movements to very teensy ones. This permitted periodic glimpses, like treats, of the on-stage action. Most of the time I might as well have been listening to the radio.

Toward the end of the Friday concert, I weighed the pros and cons of asking the gentleman to be more mindful of the minions behind him (I thought it might help if I told him it wasn’t just me who might as well have been blindfolded.)  I tapped him on the shoulder, explained my plight and asked for special dispensation. He grudgingly obliged, but not before he launched into a scathing evaluation of the construction of the bowl, the placement of the seats, and the Bowl management’s reluctance to make major structural changes proposed by him. I later discovered that this gentleman was Mark Swed, classical music critic for the Los Angeles Times. He is what he is.

Friday night brought us the world premiere of Michael Hersch’s elegy, I Hope We Get to Visit Soon. As Mark Swed described it in his LA Times review, a relentlessly grim musical immersion in a cancer ward, was the weekend’s major world premiere. After enduring the 77-minute performance for two solo singers and instrumental ensemble, without a trace of grace one woman stood on the lawn repeatedly shouting, “I hated that so much I want to fight with someone”, as we funereally filed out of the Libbey Bowl.

The elegy is based on Michael Hersch’s experience with a friend who endured what could be described as a plague of attempted cancer cures. The onstage dialog of false hope and failures was artfully accompanied by some twenty musicians who produced intermittent, painful screeching. The performance took me from a state of disbelief (why would someone put this to music) to sadness, then to despair and finally numbness of all my limbs. When it ended, what seemed like an eon of silence gave way to a mild smattering of quiet hand clapping. Fearful that the composer might do away with himself, I joined in the merriment and was comforted by the bravos and bravas that finally issued forth from those who had regained the use of some of their bodily functions.

Jackie’s turn arrived on Saturday. A first-time Festival goer, she was treated to, as she put it, a unique, one-time experience. Not wishing to burden herself with the mid-day emanations from the Bowl stage, she immersed herself in her own world through clever use of her iPhone X. Getting with the program, I too searched for other ways of occupying my own time.

The Bowl is partially covered with shade cloth that tends to mercifully diminish the sun’s onslaught. The shade consists of three long pieces of fabric that are hooked together. When we took our seats at 1pm, we were covered and protected by this marvel of man. However, as any schoolboy knows, the earth rotates. Continuing my alternative exploration, I noted a six-inch gap between each of the long shade strips. I also noted the sun’s relentless approach to the gap. My sextant and compass predicted that the sun’s rays would be on me before the end of the afternoon concert. And they were. First my big toe, then my foot, then my ankle. I felt like a vampire who, when fully exposed to the sun, would explode and shower Mark Swed with my innards. Fortunately, the concert ended at my thigh.

Saturday afternoon began with Kafka Fragments. A series of forty-one snippets artfully performed by a high-pitched soprano and a manic violinist. Have you ever done the Countdown Experience? This requires the musical knowledge to know when a movement, or in this case a snippet, ends. Then you maintain your sanity by counting the number of snippets yet to be played before the whole thing ends and you can go home…or the nearest bar. Forty, thirty-nine, thirty-eight…

The Saturday evening finale applied a heavy-handed touch to exploring the chaos and misfortune of the world. Incorporating the best of drought, famine, state collapse and mass migration, we were treated to a cleverly staged presentation of all the worst of life. The highlight performer was a woman who reminded me of a character from Rocky Horror Picture Show. Though slight of arm, she wielded massive hammers on a coffin, while pictures of death and desolation populated the surrounding Bowl walls. The crowd went wild with appreciation. The sounds of applause, whooping and bravos echoed through my ears all the way to the parking lot. I placed Jackie’s limp body in the passenger seat and we went home.

I can’t wait to buy tickets for next year.

Bravo!

Saturday I went to the Art Center. On Montgomery just south of Ojai Avenue, the Center has been around many years. The “Art” in Art Center is all-encompassing. Paintings decorate the walls whenever there is a special exhibit. Photographs have their place in the sun once or twice a year. Music fills the vacant space when featured artists ply their wares to those of us who can manage the folding chairs that so often cause my fanny to wish the show was over.

The Art Center also hosts legitimate theater. Musicals, comedies and dramas are staged by volunteers who take their roles seriously, without pay, both behind the scenes and as performers.

It was with some trepidation that I pondered Sheila’s invitation to accompany her and Sid to Bakersfield Mist, the current offering at the Center. While the cast works hard for all plays, some performances are occasionally shaky and leave me with memories that make it harder to give the next offering a fair shake. I go anyway, hoping to find my concerns unwarranted.

Evening performances are challenging…for me, not the performers. A glass of wine with dinner tests my ability to remain upright in my seat. I begin to lose my focus, my lids feel like they weigh five pounds each, and my head slowly begins a downward spiral that culminates in the loss of all my senses. Except for occasional sensory interruptions, I could remain comatose through an entire first act. I dread repeating the event that occurred some years ago when I sat in the front row, fell asleep and then awoke to find the leading man staring directly at me with laser-like precision. I remained rigidly awake and unblinking for the balance of the performance.

So, bursting with low expectations, I went to the Center. And I was rewarded with a delightful, sorrowful play that was one-act, ninety minutes long, without intermission. Periodically testing my bladder content did not ruin the performance. The cast had only two actors, both perfectly suited to their roles.

Ninety minutes shot by. The audience erupted and stood up as one, without the customary survey of the crowd to determine whether a standing ovation was warranted. I admit that I normally feel pushed into the obligatory standing mode without really meaning it. On this occasion, I did not need any prodding. Bravo.

Acting and reacting is not limited to the legitimate theater. The Gables is a retirement facility on the other end of Montgomery in mid-town Ojai. A complex of buildings from the 1950’s, it is walking distance to the Art Center, but miles away in the people it serves and the activities offered to them.

On Friday, the Music Festival brought the Bravo Program to the Gables. Bravo caters to school aged children. In large part, the program fosters an appreciation for music to kids as young as five or six. I have regularly been asked to take photos of these educational activities, which usually occur in Ojai Valley public school classrooms.

On this occasion, the Gables had invited third grade children from two local schools to entertain the seniors in residence. I and my camera arrived in the Gables community meeting room just as the senior participants were taking their chairs. Most were in their 70’s and 80’s, and all were women. Some were in wheelchairs. Others had personal assistants.

About twenty kids were accompanied by two young, inordinately lovely teachers. Bounding into the room with all the energy of eight-year-olds, they took up positions in the space made by the admiring seniors. Laura, the Bravo leader, engaged the children in a few warm-up musical exercises that included songs and a bit of dancing.

Prompted by Laura, the kids then made their way to the seated seniors. Selecting a senior of their choice, each child offered a hand, introduced themselves and engaged the seniors in conversation. A bit cautious at first, the children and the seniors warmed to the occasion. An explosion of smiles filled the room and the sound of both young and old voices merged into a playful crescendo.

Seniors who were able, rose from their seats and assumed what could best be described as a conga line. Along with the children, they began a twisty-turny parade that brought delight to the faces of the marchers as well as to the less able sitters.

I found myself taking photos with abandon. Happiness shone from elderly faces that perhaps have had too few similar opportunities. I hardly knew where to point my camera as the choices were unlimited. Children of that age are unbridled and have sweet faces that demand to be captured in a photo. On this day, these lucky seniors shared those characteristics and the beauty of the moment.

Frowns and any reluctance to participate were not in attendance. Seniors became enthusiastic children willing to learn, while children became aware of their ability to brighten lives that perhaps needed it.

Toward the end of the morning, Laura asked the children if anyone wanted to say something about their trip to the Gables. Half of the eight-year-olds met expectations by freely speaking their mind with uncensored abandon. I liked meeting old people. I think they’re just like us. It was really nice performing for real people. I’m really happy they’re still alive.

The next day I began the usually tedious job of selecting and editing the most promising photos. However, on this occasion I was disappointed when my work ended. Through the marvel of Photoshop I had relived those precious moments when young and old had come together to brighten the other.

Lives had been enriched…mine included.  Bravo.

Her Face

Just returned from Albany, New York where Jackie and I took part in two Passover Seders. Her gracious cousins, Roberta and Don, opened their Schenectady house to me. A stranger in their land, I thought I should conduct myself in a way that would be both understated yet reasonably intelligent. I knew the understated part would be easy. Intelligence is tougher to display, but can usually be easily achieved by keeping one’s mouth under control.

The trip to Albany required catching a 6am flight at LAX, a change of planes in Chicago and a strong constitution that could withstand waking at 2:30 am, driving for ninety minutes to the airport, removing various articles of clothing at TSA security, squeezing into a seat that was meant for a three-year old, and surviving more than six hours of flight time. But I’m not complaining because all that while I could look at Jackie’s face, stroke her knee, and sneak a kiss whenever I needed one…which was often.

Her face is amazing. It’s one of those “touch me, kiss me” faces that seems to reach out and beckon your attention. I find it painful not to put my hands on either side of her face, caress her cheeks and draw her close. Her lips form a perfect heart shape that cries out for a kiss. And I oblige, often.

It was generally cold and rainy in Albany, punctuated by the occasional appearance of blue sky and golden sun. Between Seders, we rode to Saratoga with cousins Rodney and Jane where we visited shops where I was thankfully able to remove my warm hat in the heated confines of the stores. We had lunch in a kitschy, sparkly restaurant where our pizza left much to be desired, limp, devoid of cheese and moderately cool to the touch. Through it all, Jackie smiled, made sure I had what I needed and made all the world seem bright with expectation.

Sunday we awoke at 6 to catch an Amtrak train for a two and a half hour trip to Manhattan where we had tickets to see Jersey Boys. Jackie had picked the musical after confirming that I had not seen the live performance.

I like trains in small doses. Especially when headed toward an exciting destination, rather than coming back. The train was clean and reasonably comfortable. We passed by depot signs with names that seemed to come from movies or detective stories. Poughkeepsie, Croton-on-Hudson, and Yonkers made me realize I was in a different world, one populated with New Yorkers and their strange but captivating accents.

I watched the light from the rising sun fall on Jackie as we paralleled the Hudson River. Her face glowing with delight as we whisked our way to Penn Station. I managed a few touches and kisses along the way but the excitement of entering foreign territory seemed to preoccupy both of us. We ate the last of our crumbly trail mix and waited for the announcement. “Manhattan…last stop…watch your step as you exit the train.”

And we emerged on Broadway. You know, the one that George M. Cohan gave his regards to in 1904. A Broadway that’s aged reasonably well in spite of its tacky gift shops, twelve-dollar suitcases and enough scammers to fill Yankee Stadium. “Let’s walk to Junior’s” Jackie said through smiling lips and eyes. “It can’t be far.” I didn’t care how far so long as I could catch a glimpse of her face and her hair as we zig-zagged through the myriad of faces that walked towards us as we counted down the blocks from Penn Station to the place where we would find the world’s best and costliest pastrami sandwich.

32nd, 33rd, 34th. The streets came and went as we waited like tourists for the lights to change. And they did, but not before I could squeeze her hand and send a silent message that she would understand and smile to in response. A smile that was worth the walk. I didn’t need the pastrami to make my day.

We finished our pastrami. It was noon and the theater would open an hour and a half later. So we did what all Manhattanites do with time on their hands. We went to a bar. Sitting at the end of the long, highly polished wood bar, I was able to watch people walking up the aisle. Jackie took that walk and, on her return, flashed that cute smile that made me realize how much I had missed her. She had combed her hair with that big, black comb that she carries everywhere, making her glow even more as she stood out from the crowd.

Jackie ordered an unusual mimosa, sipped it a few times, crinkled up her cute nose, and decided it wasn’t so good. Flashing her smile and dark brown eyes at the bartender, she asked him for something else. Who could refuse that face?

Show time. The theater was a block away. We found our seats in the front row of the mezzanine, settled in and discovered that the lead role was to be filled by an understudy. Disappointed, the woman next to me filled the time by revealing most of the details of her life. Funny how complete strangers will tell you things they won’t reveal to their friends. Jackie absorbed the conversation and made small talk while I devoted my attention to the smile on her face.

The show was terrific. I would later discover that I had seen the live play accompanied by my daughter Nancy and sweet Ila more than five years ago. No matter. The songs made my feet dance and my heart sing. I even sang along quietly expecting that the wrath of our seatmates would get me tossed outside in the cold. The actors worked hard at fulfilling our expectations. And Jackie loved every minute of it.

At the end, the actors announced that they would be raising funds to combat various maladies and would be pleased to have their pictures taken with theater goers in the lobby, in return for a fairly generous contribution. We exited and grabbed onto Corey Jeacoma, the young man who played the role of Bob Gaudio, composer of the Four Seasons’ songs. Jackie lined up her majestic sixty-one pixie inches next to Corey’s towering seventy-four inch body. She looked up at Corey and I swear he nearly melted. I snapped the picture and became just little bit jealous. Silly, I know, but love will do that.

We had a delightful Italian dinner in a little, very crowded but typical Manhattan restaurant complete with narrow aisles, argumentative patrons and drafty corners. We both decided it was the best meal of our trip…even if it really wasn’t.

We taxied to Penn Station, boarded our Amtrak train and began the trip back to Albany. Jackie took the seat next to the window, closed her eyes, and slowed her breathing. The sky was darkening but there was just enough light to illuminate the edges of her forehead, her eyes, her nose and her chin. Just enough light so I could pretend that I was sitting next to a marble statue created by a long-ago genius. Just enough light to ease the trip back. Just enough light to see the face that brightens my heart.

 

More than Yoga

Jackie organized a yoga retreat last Saturday. It was held at my house which, biased though I may be, is an excellent setting for anyone who wants a calming atmosphere, great views of the Topa-Topa mountains and a silence that makes one feel that they are no longer in Kansas.

A multi-year yoga fanatic and sometime teacher of the mysterious art, Jackie would rather organize retreats than eat pastrami sandwiches. Although based upon our recent visit to Nate and Al’s in Beverly Hills, pastrami is a close second. And if you add crispy French fries, a dill pickle and soda from a real Coca Cola bottle, the contest most definitely becomes a toss-up.

The retreat had the benefit of Jackie’s organizing skills and unlimited ability to focus on something until  every bit of it surrendered to her unalterable vision. No half-measures here, only the best will satisfy this petite wonder-woman. A slick website announcing the retreat, complete with the ability to sign up and pay, was merely the beginning. Heaps of gluten-free food from Rainbow Bridge, dozens of personalized ball point pens, fragile eco-friendly glass water bottles, a notable professional yoga instructor, a personable hiking guide from the Ojai Athletic Club. and a flavor-filled flask of my organically grown olive oil would assure the participants that they would receive more than their money’s worth.

Up before dawn on the day of the event, I inflated four bright red balloons. I put them in strategic positions along the road that would lead the participants to the place where all their dreams would be fulfilled. No matter that it was thirty-six degrees outside. I would nevertheless cope with the challenge of tying a very small knot in the neck of each balloon to assure that the inflated markers would last for the next hour or two. After that, the miserable little bastards could shrivel up like my penis in a below zero Chicago winter.

I had not intended to participate in the two yoga classes scheduled for the day. My lack of skill and grace as I waddled and stumbled through two prior failed attempts at discovering the mystery of yoga caused me to studiously avoid a third encounter. I thought this resolution was inviolate until Jackie, in that sweet, yet overpowering whisper said “Oh, please join us. It’ll be such fun.” My lack of resolve quickly melted like a Hagen-Daz chocolate ice cream bar on a hot summer’s day.

The first of many challenges to succeeding at a semblance of yoga involved the proper selection and placement of the various toys that are part of the ritual. The floor mat that every hard-core yogi carries to yoga classes and perhaps, it seemed, to weddings and funerals, was obvious as to its purpose. Hard book-shaped support blocks that reminded me of the nail beds that yogis are known to lie upon for hours riveted my attention; had no one ever heard of rounded corners?

These accoutrements were followed by a relatively stiff but yielding bolster that would, I hoped, only be used for naps. Next, a long-buckled strap that might otherwise be useful in a particularly active sexual encounter left me with no clue as to its real purpose. Several blankets, neatly folded in a manner I was not destined to emulate, offered some hope that they were intended to create a welcoming sleepy time environment like my kindergarten days at Hibbard elementary school. The final toy was a weighted eyeshade that was. I thought, only to be used when the group leader felt that I should be relieved by a firing squad of my self-inflicted agony.

I joined in the fun. Abundantly aware that I was surrounded by nine women, I tried to emulate the poses, twists, bends and other contortions that are representative of the yoga experience. I struggled to convince myself that my inability to reasonably replicate even one of the poses could be generally attributed to my extraordinarily long legs. My failure to maintain what would otherwise be called a push-up was inexcusable. Unable to accurately ascertain my left side from my right side usually brought me face to face with another more knowledgeable participant. I gradually found myself separated from the rest of the crowd who were obviously not enamored by my occasional poking them in their up till now private parts.

“Restorative” was the adjective appended to “yoga” in the final hour of an excruciatingly long day. I was ready to pack it in but the smile on Jackie’s face and the occasional “good boy” that emanated from her sweet lips gave me the will to carry on in the face of what otherwise might be called “Fred’s Folly.”

The hour consisted of a series of comparatively restful poses. Lying on my back with the bolster tucked under my legs, blankets covering my body and the eyeshade shutting me off from the rest of the world proved to be my favorite. I could have spent the entire day like that and become a lifetime advocate of yoga.

When I thought that the blessed lying on my back might be unhappily stripped from my grasp, the sound of a flute filled the otherwise silent space. It had a calming influence that could be compared to a mother’s love for her child. As my eyes were covered, sound was the only sense that I experienced. It seemed familiar. And then, as if a revelation, I knew it was Charles.

At Ila’s funeral nearly seven months ago, Charles had appeared unbidden at the side of her plain oak casket. Dressed in immaculate white linen, his hair neatly groomed and holding an American Indian flute, he proceeded to turn what was until then an unsurprising farewell to my love of fifty-seven years into an event that many would long remember. The notes emanating from the instrument were slow, sweet and in perfect tempo. I was sure that Ila must be hearing what was intended as both a fond adieu and a loving thank you for many years of a meaningful relationship.

And here we were again, this time at the end of a day that I thought might conclude with no particular memory. Lying there, thoughts of what had been flowed out of my memory like the playing of a video of our life together. A life that is fading a bit. A life that is yielding to new relationships and history yet to be written.

But as long as the sound of the flute is heard, I will remember.

Happy Birthday, Steven

Jon and Linda invited us to their home to hear their friend, David Roth, play the guitar.

I have great admiration for people who open their homes to large numbers of people, risking red wine carpet stains, backed-up toilets and conflicting requests about the thermostatically controlled temperature. The purveyors of such hospitality are usually adventurous, gregarious and welcoming. The Lamberts fit the mold perfectly.

Sweetie and I arrived unfashionably early, said hello to those we knew and a few we didn’t. Most were in the vicinity of our age group but with a smattering of the very young who, as the evening progressed, may have thought longingly of their idle smart-phones.

A couch at the absolute rear of the bridge-chair festooned room beckoned to us and we plopped ourselves into its welcoming softness, fully expecting to have our vision blocked by anyone who might choose to occupy the two taller chairs in front of us. No one did.

David Roth, a personable man with a name that abbreviated our own, and who you would be pleased to have to dinner, introduced himself and made us laugh. A folk singer and composer of some renown, he seemed quite at home in the cozy surroundings. My first inkling of what was to be a memorable evening came when David told us about his Chicago roots. Hmmm. A fellow landsman, I thought. Not a bad start.

David’s mother sat, appropriately, in the front row. He took genuine pride in talking about her, including her accomplishments as a theatrical performer. I’m sure Mrs. Roth must have thought, more than once, what a good boy.

David’s father also figured prominently in the Chicago scene having toiled at the long defunct Chez Paree, a restaurant cum nightclub that featured the likes of Jack Teagarden, Morey Amsterdam, Louis Armstrong, Woody Herman, Frances Langford and a cast of now almost forgotten names. I spent Von Steuben High School prom night there in 1956 with Brenda Dobbs. Another connection.

My mind wandered a bit and, maybe as a result of the connections, I realized that tomorrow, June 12, was Steven’s birthday. Our son who left us much too early in life. He too, like David, was a singer, guitarist and composer. I tried to remember the words to some of Steven’s songs and failed miserably.

It seemed to get softly warmer in the room, more relaxed, more at home.

David reminisced about his bar mitzvah and the mischief he got into as a very young boy who reveled in running about the Chez Paree, no doubt pursued relentlessly by his father. Displaying a photo of Jimmy Durante, he pointed out his own angelic face alongside that of his sister, both sitting on Durante’s lap.

He shared that time when, not so long ago, he was confronted with thyroid cancer and saw his singing career flash before his eyes. Another connection.

Sloan Wainwright spelled David and shared her own brand of music. And the loss of her husband to leukemia four years ago. Her house that he had built for her and that now provided only warm memories. Another connection.

I began to wonder if this evening had been carefully choreographed to remind us of Steven’s birthday. Whether some wizard had conjured up David Roth and instilled memories in him that were just close enough to raise our own. You’ve been there, I’m sure you have.

David finished and a few people wandered to the front of the room, telling him how much they enjoyed his concert. I shared my Steven story with him. At first he seemed just polite, nodding and listening to me. And then his eyes told me that it meant something more to him.

Happy birthday, Steven. Wish you were here.

DuranteDavid

Libbey Bowl 360 degree Panorama

Time for another Libbey Bowl panorama.  This one was done on December 3. 

Click on the image and you will be taken to the pano host website.  Be patient while it loads, then scroll around the construction site.

Don’t forget your hard hat.

 

Bravo!

Sweetie and I dragged our camera gear down to Meiners Oaks Elementary yesterday.  Amy Hagen was teaching a violin class for the kids.  Getting up earlier than usual is tough for Sweetie, but she finds that gazing at the kids faces is worth the loss of sleep.  Well worth it.

The Bravo  program is sponsored by the Ojai Music Festival.  It’s designed to introduce school-age kids to the wonders of music.  We’ve had the pleasure of photographing them and their mentors for several years.  At elementary schools, the junior high, and performance venues throughout the community.  You’d think that by now we’d seen it all.  That we’d become a bit jaded looking at cute kids with brown and white faces.  You’d think they must all look the same by now.  But no, we’re still captivated.  We still look forward to the next opportunity.

040220096789

 Mr. Knopinski would have been amazed.  Arthur was my band teacher at Chicago’s Von Steuben High School.  I played the trumpet.  Not great, just well enough to get by.  I often think of those four years.  It sticks with you forever.  Even if sometimes it was a drag.  Arthur was a slight, mousy guy, sitting behind his music stand.  Beating time with his baton.  Not a guy you’d want to have a beer with.

The Bravo men and women express a flair and dedication that Arthur seems to have missed.  You can see it in the kids’ faces.  They’re riveted.  No shifting in chairs. No doodling.  No punching the kid next door.  They’re not perfect.  But they’re more into it than they would be in Arthur’s bandroom.

Meiners Oaks is, on a good day, middle income.  The neighborhood kids could tell us stories that would rival many TV soaps.  And that’s what’s so gratifying about Bravo.  It brings light to the eyes of kids who might never have the bucks or the opportunity to attend a concert, much less play a musical instrument.

040220094104

When we walked into the classroom we were greeted with the sight of twenty-five kids playing the violin.  When I was in grade school, Phillip Ruder was the only kid brave enough to lift a bow.  And these kids could actually play the darn thing.  Itzhak Perlman or Sarah Chang they weren’t.  But someday.  The class ended and twenty-five new kids trooped in and picked up a violin.  Fifty.  Amazing.

040220094106

They love having their photos taken.  “Hey mister, what are the pictures for?”   “They’re for the Bravo program.  You’ll be helping to promote it.  You’ll be famous.  Smile.”  And they do.  A lot.

 0402200940641


Pages

Recent Comments